Deanna Bowen

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sadomasochism:

"Deanna Bowen's sadomasochism hypnotized the crowd with its relentless pattern of footsteps on a beach, striking a match, civil rights footage, and S&M sing-a-long. The audience follows the bouncing ball as it denotes the dialogue between master and slave. The more disturbing the dialogue, the more Bowen pushes the audience. It's a bold, brave and brazen piece not pulling any punches." Si Si Penaloza, LIFT Newsletter, 1999

"Talent doesn't get spotted. It spots itself. Deanna Bowen. . . works with the absolute certainty of someone who knows right in her bones that there's nothing much she can't do...." - Peter Goddard, Toronto Star, 2000

"This stark but complex work documents a series of ideological passages with regards to the politics of race, gender and sexuality - in essence, a "coming of age". Here, sadomasochism is much more than a game, it's a metaphor for the transcendence of self." Images Independent Film & Video Festival, 1999

"With powerful imagery, and equally powerful words, this work places us in the both comfortable and uncomfortable seat of comprehension and recognition; offering us the material to question notions of self-determination based on what one is rather than what one isn't." Katharine Setzer, Image et Nation Lesbian & Gay Film and Video Festival, 1998

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Director, Producer, Picture Editing, Animation: Deanna Bowen

Cinematography: Philip Jandalay

Funded by the Toronto Arts Council